Slow Slow Loris use voice and electronics to search for the intersections where melody meets noise, emotional meets avant-garde, feminine meets industrial, non-rhythm meets accuracy, and raw meets craft. Their 5 albums and various tracks were released by Cloister Recordings, Zaetraom, Staaltape, Syrphe, Klang and others. They have toured in western and eastern Europe, Russia, and the USA.
“The animal slow loris is an endangered species. It is believed to be the gatekeepers for the heavens and is used in traditional medicine to ward off evil, but a slow loris is continually seeing ghosts, that is why it hides its face in its hands.”
"An epic, sweeping live performance using vocal melodies, samples, various instruments, live looping and multiple pedal chains to coax the music out of the noise. They enter raw emotional imagination to give the nuances of one`s subconscious permission to come forth...a sensitive blend of music meeting noise, reaching a wide range of audiences and venues from clubs and festival stages to concert halls and art galleries."
“You guys wanna hear something beautiful and gleefully insane? Check them out! Gorgeous and hypnotic moments would give way into complete sonic carnage and it flowed so beautifully. Just absolutely blew me away.” Leland Vandermeulen, musician on FB about the US Tour 2015
“sophisticated and structured ambient noise, consisting of unobtrusive but inescapable electronic layers of imminent unease that come along with an increasing liturgical female voice and slowly evolving structured noise, announcing and shaping the portals to an ominous king/queen-dom” Zeatraom, Tesco Organisation
“...you envision a futuristic city full of dark alleys and shining galaxies, high-tech skyscrapers and industrial wasteland...” Rinus van Alebeek of Staaltape
“There is a fine element of repetition in this music; a cold and clinical bang, reminding this listener of the cassettes he heard in the 80s. Slow Slow Loris is an ancestor to that old school industrial sound… dark synth-heavy industrial pop noir. Powerful!” Frans de Waard of Vital Weekly