Harsh Noise performance
The sound and visual universe of this artist is tense and heavy. We are talking about Noise and, in this case, extreme Noise. Alessandra sculpts sounds and noises, welds frequencies and dissolves apocalyptic voices. It is also her body which speaks, which she sounds and brutalizes, propelling us towards a dark elsewhere, nourished, among other things, by her revolt against violence against women…
Alessandra Zerbinati, is an Italian performer and noise artist. Considered one of the most controversial and extreme figures on the Italian scene, her performances are one synthesis of theater, butoh dance, body marking and noise. The civil engagement jobs of her face themes such as abortion, domestic violence, self-harm, death and abandonment through a sound amplification system of the moving body and the use of bizarre instruments by her designed. Contracted muscles, creaking bones, torn skin, voice, blood, pee, vomit, vaginal fluid, saliva the tools that the artist uses to get straight to the conscience of the user by dusting off what remains of the empathy of each individual. In her years, alongside her, historical names such as Alessandro Cellai (Clock DVA and Pankow), Tomas Jarmir (ZU and Motorpsycho), Frank Falestra (producer of Marilyn Manson & The Spooky Kids). Since 2014 she is part of the collective MUSICA DISPERSA: WOMEN IN EXPERIMENTAL, with which she brings her performance across Europe. Since 2017 she has been at home at ART BASEL: the art week in MIAMI (FL), and at INTERNATIONAL NOISE CONFERENCE in Miami: one of the longest-running and most important noise festivals in the world. Since November 2019 she has been in the Old Europa Cafè stables with a vinyl and a DVD sold out in a few months. In 2020 she flies to Paris: she is among the protagonists of the documentary film on noise "A QUI VEUT BIEN L'ENTENDRE "by French director Jerome Florenville. In the same year, following his participation in the LUFF (Lausanne Underground Film And Music Festival), the television channel ARTE: TV le dedicates an entire interview to the TRACKS broadcast.